
Hiroshi Sugimoto at the Hirshhorn in D.C.
From the website: Using a large-format camera and, for the most part, black-and-white film, Sugimoto has created images that stimulate both intellect and vision, often capturing what is elusive to sight-the horizon line between sky and sea at night, the sum total of light projected during a feature-length film, or the physical contours of the principle represented by a mathematical equation.
It's Definitely Not The Pictures That Are Getting Small
From the website: Of all people, I'm stoked when artists have the freedom to pursue their vision, and I wouldn't want to stick Sugimoto in the twee realm of master photographic craftsman if his interests lie elsewhere. But at the same time, when I am instantly blown away by beauty in art, I have to admit, I'm a bit skeptical.
A World Where Life Can Seem to Imitate an Imitation
From the website: It is this kind of conceptual play that gives the first half of the show its air of wry, deadpan wit. But that mood changes. In 1975, the artist started photographing the interiors of old American movie theaters, picture palaces. The results are engaging as documents of vanishing artifacts. But they also ask questions about the relationship of photography and time.
From the website: For each picture, Mr. Sumitomo pointed his camera at the screen and left the shutter open for the length of whatever movie was playing. The camera recorded the film not in readable images, but as soft white glow that seems to emanate from the screen. Time's passage is distilled to a radiant abstraction.
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