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| Marianne Brandt |
Marianne Brandt - Cut-and-Paste History by Kathryn Shattuck
From the website: MORE than any other genre or medium, photomontage was the pre-eminent symbol of Modernity in the 1920s and '30s, according to Matthew S. Witkovsky, the curator of "Foto: Modernity in Central Europe, 1918-1945" at the National Gallery of Art in Washington. "It was the ultimate symbol in the play between the singular artist and mass media that defines the times, in terms of photography," he explained.
Foto: Modernity in Central Europe, 1918–1945
