September 2007 Archives

Courtesy Tott Family

NPR : Holocaust Survivors Honor Camp Liberator by Susan Stamberg

From the website: Vernon Tott quit high school and snuck into the military so he could fight for his country. Like many soldiers, Tott learned to accept the realities of war. His 84th Infantry Division fought in the Battle of the Bulge and lost a third of its troops. But, when Tott's battalion headed toward the city of Hanover, Germany, in April 1945, members of the 84th were totally unprepared for their next encounter.

From the website: Not quite believing what he saw and wanting to share his horrified disbelief with family back in Sioux City, Iowa, Tott pulled out his pocket camera.

The Photographic Memory of Julius Shulman

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Julius Shulman by John Ellis

The Photographic Memory of Julius Shulman by Paul Makovsky

From the website: On the eve of his 97th birthday, Julius Shulman—the éminence grise of architectural photography—is excited about Modernism Rediscovered, his new three-volume set from Taschen featuring more than 400 architectural projects taken over a seven-decade career. Think of any significant Modern building in Southern California and chances are that Shulman has documented it at one stage in his career. His photograph of Pierre Koenig's Case Study House #22, the one with the two girls looking over the Hollywood Hills, has arguably become the most widely published image in the history of architecture.

Slide Show

Jane Bown by an Unknown Photographer

Jane Bown - 'Some people take pictures. I find them' by Germaine Greer

From the website: . . . but Bown is a far cry from being England's Annie Leibovitz. She never stage-manages her subjects, brings neither props nor lights nor assistants to an assignment, just one of her 40-year-old Olympus OM1 cameras, with a 50mm F2.5 lens, possibly in her shopping bag. She waits while her subject is being interviewed, observing all the time, then quickly snaps three rolls of black and white film. The subject is taken momentarily unawares, the session over before there has been time to assume a public mask.

Slide Show

Jim Richardson

Jim Richardson & J. Henry Fair - Two Ways to Shoot a Landscape

From the website: Perhaps no photographic genre is more popular than the landscape, and today there may be no more important one. The poignancy of the landscape -- fragile, beautiful, ever-changing, threatened -- has long called out to photographers.

Emanuelle Léonard

Emanuelle Léonard - The dirty business of crime photography by Nadja Popovich

From the website: Walking into this particular gallery, on this particular Tuesday afternoon, the seeming emptiness of the place struck me. What exactly was going on here? Where was everybody? Where was this eerie music coming from?

Optica Gallery, Montréal

Emanuelle Léonard

Sean McCabe - Photo Retouching

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Detail of Photographs
Sean McCabe

Sean McCabe - Photo Retouching

From the website: Shooting a portrait close in like this can exaggerate the facial features of people, especially if you are using a shorter lens. In this image, I corrected some of the distortion by pushing the nose in slightly, and bringing the eyes forward a bit. If you make these changes subtle and clean enough, even your subject won't notice the changes and will think its just a really flattering shot.

Realistic film grain for digital photograpy

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Detail of Photographs
Marco van Hylckama Vlieg
Realistic film grain for digital photograpy by Marco van Hylckama Vlieg

From the website: For a very long time I've been looking for a way to create realistic looking film grain on digital photos. As much as I love digital photography I've always missed the magnificent atmospheric film grain you get when shooting on Kodak Tri-X 400 film. I've looked into several plugins but didn't find anything that's really worth the money. Today I was fiddling with some pictures I took on a photoshoot with a band and all of a sudden I found a way to do it! The result is exactly what I've always wanted as a digital film grain effect. No expensive plugins necessary, just a few simple Photoshop operations. I figured I'd share my technique with you in a small tutorial. I hope it will be useful for some of you!

John Harrington - Concert Photography

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John Harrington

From the website: When you're in the pit, unless you have a pass like the one to the left or right, you'll get the boot after a very short period of time. For a Neil Diamond concert some years ago, it was 90 seconds, for recent Beyonce concerts, it can be as short as 50 seconds. Many times, it's first song, or first three songs. The truth is - if you are a professional, and you know what you are doing, you can accomplish your assignment needs within that period of time. Further, the artist will look their best at the beginning of the show, when they've not perspired through their wardrobe.

So, You Want to Shoot Concerts? - Primer

So, You Want to Shoot Concerts? - Multiple Shootin...

So, You Want to Shoot Concerts? - VIP Credentials

So, You Want to Shoot Concerts? - All Access Crede...

So, You Want to Shoot Concerts? - Getting Started,...

John Harrington has a great blog about the business of photography.

Photo Business News & Forum

More about concert photography

John Abbott

WNYC's Soundcheck: The Art of Concert Photography

From the website: We asked, and you submitted. Today, the winner of Soundcheck's month-long Summer Concert Photos Contest is revealed. And we visit with two veteran photographers: John Abbott, whose work includes portraits of jazz legends like Dizzy Gillespie and Abby Lincoln; and Henry Diltz, the rock photographer who was the official photographer for all the Woodstock festivals.

Steve Bedell

Multi-Image Portraits; Combining Images For A Unique Look by Steve Bedell

From the website: By combining excellent photography with Photoshop or other software skills, today's photographers can create multi-image masterpieces that were unthinkable just a few years ago. The most successful ventures usually involve preplanning with the finished image in mind before any photos are taken. Much like a video production, a "storyboard" is often made that lays out approximate images and image placement before photography begins.

Master Interview; Jerry Uelsmann

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Jerry Uelsman

Master Interview; Jerry Uelsmann by Chris Maher & Larry Berman

From the website: An educator since the early 1960s, Jerry Uelsmann began assembling his photographs from multiple negatives decades before digital tools like Photoshop were available. Using as many as seven enlargers to expose a single print, his darkroom skills allowed him to create evocative images that combined the realism of photography and the fluidity of our dreams.

More Uelsmann

Photography music?

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The Buggles - I Am a Camera

Photography music?

From the website: Looking for songs about photography or that have photography as a big part. I teach photography and would like a fun soundtrack.

Free Full-Frame Digital SLR!

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Ken Rockwell

Free Full-Frame Digital SLR! by Ken Rockwell

From the website: Try it. If you like it, I just saved you $5,000 for a Nikon D3, and a lot more from day-to-day as you print.

Michael Ray - The Food Photography Process

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Michael Ray

The Food Photography Process by Michael Ray

From the website: Over the years, I've found that there are many misconceptions regarding what exactly goes on at a food photography shoot. What I've done here is to take most of the images from the creation of one food photograph and explain what went into the making of that image.

A Conversation with Rineke Dijkstra

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Rineke Dijkstra

A Conversation with Rineke Dijkstra by Anne-Celine Jaeger

From the website: How did you come up with the idea for the 'Beach' series?

From the website: I broke my hip about 15 years ago and started doing self-portraits after swimming in the pool where I was doing physiotherapy. I was fascinated by capturing something unconscious and natural in a photograph, something that was miles away from the boring and predictable businessmen I had until then mostly photographed. I was interested in photographing people at moments when they had dropped all pretence of a pose. Once I began taking these pictures, I realized I would prefer to do a series because it gave me a better grip on a subject.

Peter Schjeldahl by Tina Zimmer

The Feeler, A life in art—the Voice chats with Peter Schjeldahl, art critic and pleasure addict

From the website: This, in a nutshell, is how Peter Schjeldahl, America's most important living art critic, came to write about art. The unacknowledged dean of a bastard profession, Schjeldahl—far more than most people—has racked up a life brimming with fortuitous accidents, awkward encounters, and roads taken, then reversed.

One of the best sentences I read recently was in Peter Schjeldahl's review of the Edward Hopper exhibit:

From the website: Hopper's means are light and shadow, which establish the masses and the relative locations of forms. Raking light is the active element in static situations, as a stand-in for the artist, who inhabits his works everywhere and nowhere, like God. The light's authority overrules worries about clotted textures and gawky contours. A wall or an arm is exactly as it is because the light, hitting it, says so.

Go to Ordinary People - An Edward Hopper retrospective.

Carlos Villalon

The Octopus in the Cathedral of Salt by Phillip Robertson, with photographs by Carlos Villalon

From the website: By the twenties, United Fruit also had transformed small villages such as Santa Marta, along Colombia’s Caribbean coast, into booming industrial centers. Workers flooded into Santa Marta from distant places at a time when paying jobs were scarce.

Carlos Villalon

SPECIAL PRESENTATION: The war in the Democratic Republic of Congo, Photographs and commentary by Carlos Villalon

Carlos Villalon

Katie Cooke

Katie Cooke - The return of street photography by Haje Jan Kamps

From the website: "Photographing digitally doesn't suit how I see or think. So I stopped using digital cameras a few years ago, because they made me stupid. This is a very different way of working", Katie explains, and continues with a point that hits very close to my own heart "I find the discipline of slow, expensive photography to be perversely liberating: each shot has to count, and each shot requires thought and commitment."

Taryn Simon

Taryn Simon - Hidden worlds by Salman Rushdie

From the website: "Our interest's on the dangerous edge of things," the poet Robert Browning wrote in "Bishop Blougram's Apology" (1855). It is a line that has inspired writers from Graham Greene, who said in his 1971 memoir, A Sort of Life, that it could serve as an epigraph to all his novels, to Orhan Pamuk, who sets it at the beginning of his novel Snow. It could equally well serve as an intro duction to the photography of a woman whose aesthetic is one of stretching the limits of what we are allowed to see and know, of going to the ambiguous boundaries where dangers - physical, intellectual, even moral - may await. She doesn't think twice about entering the mountain cave of a hibernating black bear and her cubs, or a room filled with nuclear waste capsules glowing blue with radiation that, were you not shielded against it, would kill you in seconds. Taryn Simon has seen the Death Star and lived to tell the tale.

The Photographers' Gallery - Taryn Simon: An American Index of the Hidden and Unfamiliar

From the website: This exhibition is the first UK showing of Taryn Simon's latest project, An American Index of the Hidden and Unfamiliar, a culmination of four years extensive research and documenting of the unseen and inaccessible hidden below the surface of national identity.

Keith Cooper

Black and white digital photography: An interview with Keith Cooper

From the website: Keith was recently interviewed for a magazine feature, all about black and white digital photography. We've taken many of the notes from the interview and put them onto this article. Keith has added some additional pictures and information to expand on some of his replies.

Jem Southam

Jem Southam - Pond, upended British photographer's 6-year study reveals what lies beneath seemingly benign nature

From the website: At about 6 years old, he and his brother, out exploring, punched a hole in the fence that cordoned their garden off from the country. Southam can remember thrusting through the fence and being pitched into a flaxen thicket of wheat.

From the website: This, he thought, is landscape.

Yale Center for British Art

Lee Miller

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Lee Miller by George Hoyningen-Huene

Lee Miller

From the website: Lee Miller (1907 - 1977) is one of the most remarkable female icons of the 20th century - an individual admired as much for her free-spirit, creativity and intelligence as for her classical beauty. Charting her transformation from muse to ground-breaking artist, this centenary exhibition provides a unique exploration of her life and unprecedented career as a photographer.

The surreal goddess

From the website: Yet it would be a better, less prissy experience if it were more ready to acknowledge that Miller's body was what made her central to modern art in the age of Picasso, Cocteau and Man Ray. As it is, it begins with that superb Man Ray portrait and ends with a painting by Picasso - because how can you avoid the fact she was one of the most avidly looked at women of the 20th century?

The look of the moment by Ali Smith

From the website: But then Miller as artist is something we nearly didn't get the chance to consider at all. This is partly because, in her later years, she disparaged her own art, acted like it didn't exist, tidied what survived into the loft in Farley Farm, Sussex, the art-filled home she shared with her husband (and clearly her soul mate), the surrealist artist and collector Roland Penrose. That she was one of the finest photographic artists of the 20th century was just one of the discoveries her son made when he opened up some boxes in the attic and found original prints, negatives in their thousands, and several official-censor-shredded manuscripts.

More Miller

William Wegman: Around the Park

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William Wegman

William Wegman: Around the Park

From the website: Artist William Wegman presents Around the Park, a new video work, on four outdoor monitors near Madison Square Park’s popular food kiosk, Shake Shack. The approximately seven-minute-long video stars Wegman’s favorite cast of characters as they enjoy a fall day in Madison Square Park. Opening concurrently at Senior & Shopmaker Gallery on Madison Square Park is Wegman Outdoors, an exhibition of the artist’s landscape photographs dating from 1981 through 2007.

Charlie Rose - Photographers

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Charlie Rose - Photographers

From the website: A series of Charlie's conversations with leading photographers of our time from around the world.

Henri Cartier-Bresson, Annie Leibovitz, Gordon Parks, Mary Ellen Mark, Sally Mann, Roy DeCarava, and Richard Avedon

Amit Agarwal

Google Picasa or Windows Live Photo Gallery - Which is Better? by Amit Agarwal

From the website: Windows Live Photo Gallery is extremely fast and efficient. It works so well when it comes to downloading photographs from the digital camera. You can also this as the default image viewer on Windows.

Ben Long

Framed and Exposed: Make a Clean Sweep of Your Camera by Ben Long

From the website: Other than new-lens lust, one of the most common hardware challenges that digital SLR users face is sensor dust. Because the lens on an SLR is removable, it's possible for dust and debris to get inside the sensor chamber of the camera, resulting in visible spots and artifacts on your final images.

How to Make a Pop up Photograph

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Unknown Photographer

How to Make a Pop up Photograph

From the website: Making your favorite photo into a pop-up is fun and relatively easy. Pop up your family, your pet, your best friend, or you can invent your own imaginary scene using magazine cut-outs and drawings. Here's how...

A Conversation with Mitch Epstein

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Mitch Epstein