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Critic Peter Schjeldahl's passion for art runs like an erotic charge through Let's See.
Picasso, for example, leaves him "shaky with pleasure and not so much sent on my way as seduced and abandoned."
Compared to Picasso, Matisse is a less formidable formal innovator, but "at a party, it often happens that the person you find most glamorous is not the one you think of when it's time to go home."
Ann Doran
