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Also go to Garry Winogrand.
Jim
Reconsidering Winogrand by Nick Turpin
There's inherent risk in doing exactly what you want and doing it well.
Garry Winogrand, whose photographic output said both "look at us" and "look at me look at us" in equal (and thrilling) measures, knew well the width of that risk.
He took its measure, set it aside, and deliberately went about the work of widening photography (both what photography was, and what photography might become) with every click of his shutter.
Nick Turpin
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Also go to 2007 Adobe Design Achievement Award winners.
Jim
Using the file's Red, Green, and Blue Channels, I found which color contained the most contrast that enhanced the important details.
I copied the information and pasted it into new layers.
I used a series of blend modes and layer masks to bring out striking detail and retain great value and color.
I employed burn/dodge layers to emphasize shadows and finally employed sharpening and blurring to make every little "Character" jump off the page.
Sean Teegarden
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The important and often iconic Parr photographs in this show are drawn from nine series spanning over thirty years.
Stephen Daiter Gallery
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Also go to Scanning Negatives & Slides.
Jim
Unless you were born after 1990 (and maybe even if you weren't) you have a box full of negatives and slides somewhere, and some of them are pretty damn good.
And you've thought about scanning the better ones "one of these days" but never got around to it because, well—here comes the BS again.
Jon Sienkiewicz
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Our goal at Riley G is to create quality camera straps that embody the creativity and style of the photographers who wear them.
With dozens of styles and colors it won't be hard to reflect your dynamic and creative look.
All our camera straps are proudly hand-crafted here in the USA and made with a great mix of new and recycled materials.
Riley G Strapworks
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Any mood can take you places.
Moodstream is a powerful brainstorming tool designed to help take you in inspiring, unexpected directions.
Whether you want images, footage or audio, or just need a stream of fresh ideas, tweak the Moodstream sliders to bring a whole new creative palette straight to you.
Ready?
Stream.
Create.
Getty Images
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We want fstoppers.com to become the website that has interesting, and informative videos of professional still and video shoots.
Searching through vimeo.com is great if you want to see talented artist's work but our goal is to show you HOW they created their work.
If you are a creative professional we want you to be a part of fstoppers.com.
Join our Vimeo group and submit us your behind the scenes videos and articles.
We will help you promote your business by posting your work on our site and you will help all of us learn a little bit more about our field.
Lee Morris
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Long Exposure by Jennifer Allen
Photography is dead.
That news may come as a surprise, since obituaries about art tend to be written about painting.
Invented in the 1830s, photography is still in its infancy as an art form compared to the centuries-old medium of painting.
Despite inventions like portable paint tubes and fast-drying acrylic, painting has not undergone the transformations that digitalization is bringing to the medium of photography.
Jennifer Allen
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It can take years to feel at home in a new area.
At first it's just a place with unfamiliar streets, restaurants you might like to try, and shops that look interesting from the outside.
But over time you see yourself reflected in parts of the city, and begin to block out the rest.
Certain patches of sidewalk almost feel like they should be worn down by your foot traffic.
But these familiar spots aren't always your favorites.
Sometimes it's the anomaly — new, foreign, exotic — that attracts, and sometimes it's the rare treat.
Consider your local treasures while viewing this collection of haunts and hangouts.
Laura Brunow Miner
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Also go to Garry Winogrand.
Jim
Reconsidering Winogrand by Nick Turpin
There's inherent risk in doing exactly what you want and doing it well.
Garry Winogrand, whose photographic output said both "look at us" and "look at me look at us" in equal (and thrilling) measures, knew well the width of that risk.
He took its measure, set it aside, and deliberately went about the work of widening photography (both what photography was, and what photography might become) with every click of his shutter.
Nick Turpin
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